Association Française du Stick et de la Tape Guitare
Discussions autour du tapping polyphonique / polyrythmique sur instruments dédiés ou conventionnels
Kevin Keith
46 messages • Page 3 sur 5 • 1, 2, 3, 4, 5
Re: Kevin Keith
par Olvétique » 05 Janvier 2011, 20:52
Ça doit faire une drôle d'impression d'être aussi bon... Font chier ces nègres tout de même...
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Olvétique - Messages: 841
- Inscrit le: 23 Avril 2009, 11:33
La Suisse se fait encore remarquer!Re: Kevin Keith
par Olvétique » 06 Janvier 2011, 07:45
grozeil a écrit::shock: La Suisse se fait encore remarquer!
Certainement parce que chez nous, la friandise "tête de nègre" a été rebaptisée "tête au choco" par les tenants du politiquement correct. Quand je dis nègre, je l'entends évidemment au deuxième degré, tout comme le reste de la phrase, qui est en fait un gros compliment adressé aux afro-américains sombrement pigmentés qui sont de foutus bons musicos
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Olvétique - Messages: 841
- Inscrit le: 23 Avril 2009, 11:33
Re: Kevin Keith
par Frederic » 06 Janvier 2011, 10:46
Ça me fait penser à la fois où une copine black a commandé au restau un "nègre en chemise" rien que pour voir la réaction du serveur 
- Frederic
- Messages: 82
- Inscrit le: 22 Avril 2009, 21:28
- Localisation: 78 Carrières sur Seine
Re: Kevin Keith
par Catbasse » 06 Janvier 2011, 11:17
En politiquement correct il faut dire " homme issu de la diversité jouant du bâton de l'homme d'église" 
Grand Stick n°5656 - standart
Stick 10 n°317 - standart
http://www.facebook.com/olivier.chabasse.1?v=wall
http://www.youtube.com/user/balatruc#g/u
Stick 10 n°317 - standart
http://www.facebook.com/olivier.chabasse.1?v=wall
http://www.youtube.com/user/balatruc#g/u
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Catbasse - Messages: 867
- Inscrit le: 21 Avril 2009, 18:30
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Re: Kevin Keith
par mcoconut » 06 Janvier 2011, 11:22
et le gland alors !!!!! ils ont meme changer le nom 
Rien n'etait aussi beau lorsque la boulangere ( quel film
) , reprenait la commande bien fort dans son magasin : "un gland , et voila , et avec ceci ?"Riccola.............................
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mcoconut - Messages: 535
- Inscrit le: 21 Avril 2009, 22:42
Re: Kevin Keith
par grozeil » 09 Janvier 2011, 12:35
Bon, les enfants, j'ai trouvé ça sur le blog du père Keith. Et bien, vous aviez tout faux!
Il détaille sa procédure d'enregistrement...
The audio you hear in this video was recorded live at the video shoot in Hollywood, California and there were no overdubs. Here's how we did it..
The overall recording concept was to have a live performance on Stick and vocals with prerecorded drums and strings underneath.
The drums and strings played out of an Apple i5 Macbook Pro running Digital Performer 7 while simultaneously recording my vocals and the Stick on 7 new tracks.
To get a nice look to the video there were a lot of moving lights and neon fixtures on the set. Unfortunately, these lights have LOUD built in fans plus the neon lighting is notorious for generating high frequency noise in the audio path.
To reject the noise I needed a vocal mic that was highly directional so I used the old standard Shure SM58. As a recording engineer I have used 58's and Beta 58's recording live performances of some of the biggest artists in the world because the mic is stable, predictable, and the off axis rejection is excellent. Beta 58's are even better. Sennheiser also has some great products for this kind of work.
The mic went directly into a MOTU Traveler MKIII with a little bit of the Traveler's built in compression and no EQ. A Waves C1 compressor, MOTU EQ4, MOTU gate and MOTU eVerb were used during the mix.
Since the Traveler was the audio interface to the Mac it also provided the playout audio for the drums and strings. The vocal harmony you hear was done in real time with a TC Helicon Voicelive printed in stereo.
The Bass side of the Stick went into a Presonus Bluetube preamp and a DBX 166 compressor to stabilize the low strings. EQ was switched off. The EMG pickups on the Stick are so good that you can record them flat and they sound fantastic. Effects were a Line 6 MM4 for a touch of light stereo chorus to make the hi bass strings pop out a bit.
The Melody side was the EMG pickup directly into a Roland VG88 used in stomp box mode. The cool thing about the VG88 is that it doubles as a multi effect stomp box on steroids, so you don't have to use a Roland GK pickup. I created a preset in the VG88 to give me an old Fender Tweed sound with stereo vibrato. Love that bluesy vibe!
The drum track was created with Spectrasonics Stylus RMX. This is an AMAZING application! I was a part of the beta test team for Spectrasonics during the development of this product and honestly, it is the greatest most useful appllication available for doing any type of grooves.
The Strings were a combination of 20 year old EMU EIII samples combined with Quantam Leap VLSO strings played out of Native Instruments Kontakt 4.
The video was a line cut that was switched in real time so the audio and video were never edited. We did three takes and I chose the second take to be the video. The itunes single is the audio from this live performance.
Il détaille sa procédure d'enregistrement...
The audio you hear in this video was recorded live at the video shoot in Hollywood, California and there were no overdubs. Here's how we did it..
The overall recording concept was to have a live performance on Stick and vocals with prerecorded drums and strings underneath.
The drums and strings played out of an Apple i5 Macbook Pro running Digital Performer 7 while simultaneously recording my vocals and the Stick on 7 new tracks.
To get a nice look to the video there were a lot of moving lights and neon fixtures on the set. Unfortunately, these lights have LOUD built in fans plus the neon lighting is notorious for generating high frequency noise in the audio path.
To reject the noise I needed a vocal mic that was highly directional so I used the old standard Shure SM58. As a recording engineer I have used 58's and Beta 58's recording live performances of some of the biggest artists in the world because the mic is stable, predictable, and the off axis rejection is excellent. Beta 58's are even better. Sennheiser also has some great products for this kind of work.
The mic went directly into a MOTU Traveler MKIII with a little bit of the Traveler's built in compression and no EQ. A Waves C1 compressor, MOTU EQ4, MOTU gate and MOTU eVerb were used during the mix.
Since the Traveler was the audio interface to the Mac it also provided the playout audio for the drums and strings. The vocal harmony you hear was done in real time with a TC Helicon Voicelive printed in stereo.
The Bass side of the Stick went into a Presonus Bluetube preamp and a DBX 166 compressor to stabilize the low strings. EQ was switched off. The EMG pickups on the Stick are so good that you can record them flat and they sound fantastic. Effects were a Line 6 MM4 for a touch of light stereo chorus to make the hi bass strings pop out a bit.
The Melody side was the EMG pickup directly into a Roland VG88 used in stomp box mode. The cool thing about the VG88 is that it doubles as a multi effect stomp box on steroids, so you don't have to use a Roland GK pickup. I created a preset in the VG88 to give me an old Fender Tweed sound with stereo vibrato. Love that bluesy vibe!
The drum track was created with Spectrasonics Stylus RMX. This is an AMAZING application! I was a part of the beta test team for Spectrasonics during the development of this product and honestly, it is the greatest most useful appllication available for doing any type of grooves.
The Strings were a combination of 20 year old EMU EIII samples combined with Quantam Leap VLSO strings played out of Native Instruments Kontakt 4.
The video was a line cut that was switched in real time so the audio and video were never edited. We did three takes and I chose the second take to be the video. The itunes single is the audio from this live performance.
- grozeil
- Messages: 1730
- Inscrit le: 21 Avril 2009, 17:33
Re: Kevin Keith
par Catbasse » 09 Janvier 2011, 19:16
Voilà qui a le mérite d'être clair, alors il est ou le Youyou ???? je pense que s'il vient en Europe tu es bon pour lui payer le resto, vu les rumeurs que tu laisse courir sur le net 
Ce qui est super c'est que tout le matos utilisé est du matos courant et abordable, pas de Nemann, d'Eventide, d'Avalon et autre bricole a 12 millions de pépètes. Donc je réitère "il est trop fort ce Kevin "
Et je viens de me rappeler que dans le placard dort un préampli BlueTube que j'avais acheté 50 euros sur AudioFanzine, va falloir que je réessaye ça !!!!!!
Ce qui est super c'est que tout le matos utilisé est du matos courant et abordable, pas de Nemann, d'Eventide, d'Avalon et autre bricole a 12 millions de pépètes. Donc je réitère "il est trop fort ce Kevin "
Et je viens de me rappeler que dans le placard dort un préampli BlueTube que j'avais acheté 50 euros sur AudioFanzine, va falloir que je réessaye ça !!!!!!
Grand Stick n°5656 - standart
Stick 10 n°317 - standart
http://www.facebook.com/olivier.chabasse.1?v=wall
http://www.youtube.com/user/balatruc#g/u
Stick 10 n°317 - standart
http://www.facebook.com/olivier.chabasse.1?v=wall
http://www.youtube.com/user/balatruc#g/u
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Catbasse - Messages: 867
- Inscrit le: 21 Avril 2009, 18:30
- Localisation: Avignon
Re: Kevin Keith
par Youenn Landreau » 09 Janvier 2011, 23:39
Yes, he can !
Amende honorable, les copains, j'ai médit sur Kevinou... Trop fort.
You.
Amende honorable, les copains, j'ai médit sur Kevinou... Trop fort.
You.
- Youenn Landreau
- Messages: 648
- Inscrit le: 22 Avril 2009, 10:54
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